Wednesday, December 7, 2016

Giveaway day- free patterns!

It's Giveaway Day at Sew Mama Sew, so if you're here for some free stuff, thanks for stopping by! 

If you haven't been here before, I'm an artist and a mom and I love to sew. I blog about my sewing projects, DIY projects, and lately, about my new patterns! I love making soft toy patterns, some of which you can see in my store here on the blog and at Etsy. I also have plans to release some women's clothing patterns, so stay tuned later this year. 

Bunny Lovey Pattern

Made patterns First Day Dress.

Marcy Tilton Jacket Pattern

Without further ado, here's how to get a FREE pattern. Three lucky people will get their choice of patterns, either the PAID version of the Bunny Lovey or the Dragon Lovey. To enter, use this Rafflecopter form: 

a Rafflecopter giveaway

Good luck, and thanks for stopping by!

Bunnylope Lovey Tutorial

Today I'll show you how easy it is to make your own Bunnylope Lovey!

Start by making a Bunny Lovey. You can get the pattern and tutorial here.

To make the Bunnylope antlers, you'll need a bit more fabric, a little bit of stuffing, and the pattern.

I'm using white cotton velour, but you could also use fleece, minky, or even quilting cotton.

Download the pattern and print it out without scaling on your printer so that the pattern is the right size. Then cut out the pattern on the solid line.

Cut two squares of fabric 6”x4”, then fold them right sides together into a 3”x4” rectangles. Trace the pattern onto your fabric rectangles.

Sew on the lines you traced. Leave an opening on the bottom of the antler, where indicated by the pattern.

Cut around your sewing, leaving a 1/8 inch seam allowance.

Clip corners. Turn right side out.

Stuff the antlers firmly enough that they hold their shape. Use dull stick (such as a chopstick or the eraser side of a pencil) to help push stuffing into the tips of the antler.

Hand sew the antlers to the top of the Bunny Lovey’s head using a ladder stitch. Sew all around the opening, so that the antler is firmly secured and the opening is completely closed.

And now you have a Bunnylope!

Share your creations #unlikelybunnylope #unlikelybunnylovey

Monday, December 5, 2016

Have you spotted a Bunnylope?

The Bunnylope is a mythical creature, most often viewed in deep snowy forests around the time of the winter solstice. It is believed to be a distant relative of the Jackalope of the American West. 

The Bunnylope, a FREE add on to the Bunny Lovey

Okay, so maybe I'm having a bit of fun with you, but as the snowy coldness descends on the northern hemisphere, why not generate a bit of warm humor? And why is it that soft toys with tiny antlers are just so CUTE?

The Bunnylope pattern is totally free, and it includes a pattern for the antlers and step-by-step directions on how to make them and attach them to your Bunny Lovey. You can get the Bunny Lovey Pattern free by singing up for the mailing list, or you can purchase a copy that includes PDF instructions and a license to sell on the website or the etsy store.

The Bunnylope would be just perfect for the winter baby that has everything! Or, it would make a cute addition to your holiday decor.

Enjoy the pattern, and stay warm!

Thursday, November 24, 2016

Give Thanks Sale of Unlikely Handmade Patterns: Bunny and Dragon Lovey

I hope you all are having a great holiday! We just put the turkey in the oven, and I thought I would take a break to announce a Thanksgiving pattern sale.

Thank you to everyone who has supported Unlikely Handmade in our first year!

Tuesday, November 1, 2016

Dragon Lovey, a New Pattern by Unlikely Handmade

I am so pleased to introduce you to the newest sewing pattern from Unlikely Handmade... the Dragon Lovey!
The Dragon Lovey is a pattern to make a blanket doll-- a soft toy that is mostly not stuffed, sort of like a shaped security blanket. The head is stuffed to give it a little shape, though! These toys are great gifts for newborns or infants, but they are also much loved by older children too!

Dragon lovey made with a recycled, felted sweater, ribbed velour, and wool blend felt for the back ridge. 

The construction of the toy is very simple if you have basic sewing skills and a sewing machine. You could certainly do it by hand too, but it would take a bit more time. The pattern includes step-by-step instructions illustrated with photographs.

The pattern also includes two fun variations. The first is a dinosaur... a Stegosaurus!

Dragon Lovey-- The Stegosaurus variation. This one is made from a recycled, felted sweater. The back ridge is wool-blend felt, and the belly is ridged velour. I added spots made from the same felt as the back ridge, sewn on before I sewed the body together. 

The second is a bit fantastical... a Winged Dragon!

Dragon Lovey-- the Winged Dragon variation. It is made of striped velour, with a white velour belly. The back ridge is wool-blend felt, and the wings are shiny gold fabric from my stash, left over from a halloween costume!
I wanted to launch this pattern in time for holiday gift making. Since it is hard to make just one, the purchase of the pattern also includes the rights to sell your handmade creations!

To celebrate the launch of the pattern, the Dragon Lovey will be on sale until November 5th for 15% off (regular price $7). No coupon code necessary, just visit my Etsy shop.

I love seeing your creations! If you make a Dragon Lovey (or Stego, or Winged Dragon), post them with the tag #dragonlovey and tag me @unlikelynest!

Thursday, October 20, 2016

Toile, an exhibition at Women' Studio Workshop

"Toile" at Women's Studio Workshop: Silk screen on muslin with machine stitched details.

"Toile" is the title of my recent exhibition of works created at Women's Studio Workshop. 

In sewing terminology "Toile" is another word for a muslin, which is a test version of a pattern for a garment. "Toile" and "muslin" can also refer to the fabric used to make such a test version.  

If you are interested in another perspective, Kathryn Scudier has written a wonderful post about this work on the WSW blog. 

Title of the exhibition with a bowl of vegetable muslins: acorn squash, onion, and mushroom. 

The sewn objects in the exhibition were patterned using draping techniques on vegetables. The pattern pieces were then used as the inspiration for silkscreen prints on muslin and brown paper. 

Garlic toiles (two versions) with the original hand drawn pattern on muslin. 

In creating this work, I played with different arrangements of the pattern pieces. In the end I chose to work with a radial arrangement because it echoed the almost symmetrical, radial pattern of the subject. The form also alludes to a star or mandala.

Garlic pattern, print on muslin fabric. About 12 inches wide. 

The prints have three layer that refer back the process of patterning. The first layer (printed in solid white) is the actual shape of the pattern pieces. The second layer, printed in a not quite black, is the hand drawn shape on muslin, that refers back to the process of draping. The third layer (red) is in some cases a registration mark where corners of the pattern would join, or an indication of where sewn details should be added. For example, in the garlic pattern, the red line indicates the indentations between the cloves of the garlic head, which would be sewn and pulled slightly to gather inward. 

Detail of garlic print, showing the three layers of the print. 

One interesting aspect of these patterns is that they are made from individual vegetables with unique forms. The pattern attempts to capture and reproduce this unique form, in a manner that is almost nostalgic. However, unlike a photograph or even the print itself, the pattern is imperfect, and each handmade object is unique, adding an entirely different layer of variation.

Pepper muslin and print on muslin fabric

Detail of pepper print.

Acorn squash muslin and print on muslin. 

The prints on muslin and brown paper recall the tactile materials of pattern making. While any fabric could technically be used to make a "muslin," muslin fabric is often the fabric of choice because it has predictable qualities and is inexpensive. It also serves as a "blank canvas" for the designer's idea in two ways-- it provides little distraction allowing the designer to imagine different colors and textures that might be used in the final product, and it also allows markings in different colors to be clearly visible.

Similarly, any paper could be used to make test patterns. In fact, there is no clear standard that I know of, with some designers preferring some form of tracing paper or even sewable tracing paper, while other designers will use anything convenient. Brown butcher or kraft paper is often used for its neutrality and low cost. 

Prints on paper: Acorn Squash, Shitake Mushroom, Onion

While I was tempted to print on butcher paper, I ended up using a brown kraft-look cardstock by French's paper since it accepted the silkscreen inks in a more predictable way. 

Acorn Squash Pattern Print on Paper

Shitake Mushroom Pattern Print on Paper

Onion Pattern Print on Paper
Please feel free to leave comments or ask questions, I would love to hear what you think.

Residency at Women's Studio Workshop

Hello readers! Somehow my time for blogging has managed to evaporate recently, but if you follow me on instagram you've been treated to some tidbits from my recent residency at Women's Studio Workshop. Here's a little summary of my month in Rosendale. 

At Women's Studio Workshop, I worked on a project that merges my love of sewing and patterns with my work as an artist. It isn't always the case that my work as an artist and my the other aspects of my life intersect... but is very fulfilling when they do. 

I decided to use draping to create patterns for natural forms, then use these patterns as an inspiration for imagery for my prints. My original inspiration was an acorn squash that I grew in our garden. When the three dimensional form was translated into the two dimensional pattern, the ovoid shapes formed in interesting play between repetition and organic variation. 

My residency was in the silkscreen studio. For nearly a decade, my art work has been largely studio photography. Working in silkscreen allowed me to work with color much more directly than I usually do in the photography studio. Photographers do have to make color choices, but they are usually a matter of choosing from available colors in the environment rather than inventing entirely new colors from the addition of minute quantities of pigment. Early in my residency, I played a lot with color variations.

The screen that I'm working on may not look that large, but it is the second largest screen in the studio. (I'm pulling down the length of it, so it is foreshortened!). When I began to choose other forms to work with, I made sure they were smaller, rather than larger. While I did get pretty good at managing these large screens, they were unweildy and it was difficult to get a consistent result. 

Garlic is such an amazing plant, in so many ways. Perhaps it should not have surprised me that it made for a fascinating pattern. 

Women's Studio Workshop was a wonderful place to be for so many reasons. My fellow residents were one of them. Everyone was making such inspiring work, and it was great to see the magic happening as we wandered through the each other's studios. From left to right: Katie (Katie Groove Studios), Miki (, and Philly (Phyllida Bluemel). 

There were so many inspiring people there, really. We had daily pot-luck lunches, and I had so many great conversations. Studio manager Chris and interns Molly and Sarah were just so incredibly patient and helpful, and always hard at work somewhere in the studios. Somehow the interns have also found the time to make incredible works of art: Molly Berkson and Sarah Rose Lejeune.

My residency at WSW was the Parent Residency. Traditionally, artist residencies aren't very family friendly since they are built on the idea of giving artists time away from their usual lives to work on their art. While this is a great thing for artists in general, it isn't possible when you're also mom to a little person who relies on you! Lilly stayed home with dad so that she wouldn't miss preschool, but Leo (18 months) was able to come with me. 

Everyone was super-kind and supportive of Leo. Here he is in the ceramics studio where Miki is showing him the wonders of clay-stamping.

During my residency, I had an evolving exhibition in the gallery space, and in my next post I'll show you some of the works I exhibited. 

Monday, August 1, 2016

The Monday Motivation Volume 3: Summer Sewing is in High Season!

Is your summer flying by as fast as mine? I can't believe it is August already!

There is all sorts of amazing-ness in the sewing world this summer. You would think sewing would would slow down in the summer-- but I think people get motivated to sew the perfect wardrobe for their destinations. I'm certainly guilty of this, I can't count how many late nights I've had sewing up a new wardrobe item right before a trip. So rather than a theme, this Motivation will be more of a high summer round-up!


Heather has a way of making things that you never knew you really needed until she made them. Her Caftan is a case in point. It just looks so cool and comfortable.

I'm soooo excited that the By Hand London Charlie Dress is finally accessible to us overseas admirers!

Cloth habit made a video on seam taping bras... what a lovely finish for your handmade lingerie!

Sara's Helga Shirt is casual and elegant, and soaks up the gorgeous sunlight in her photos. I was so inspired that I made my own Helga... details in a future blog post.

It was so bold and generous of Megan to share how she manages full-time mom-hood and a small business. If only my juggling of mom-hood and work was half as sane!

Sew Anemone's Bird Print Bailen Top is so well fitted, and such a playful print.

I love A Colorful Canvas's thoughts on making the Sophie Swimsuit into a tankini and her tutorial for adding a back band to the full suit.


Some fabric that I've been admiring for summer makes...

I ordered linen from the The Fabric-Store for the first time this summer, and I was impressed at the quality for the price. Such a gorgeous selection of colors. I decided on the 5.3 oz and it substantial without being heavy, and very soft.

I am so in love with the digital print linens at Emmaonesock. They are pricey, but oh so lovely.

Also at the top of my stash is chambray and double gauze from Imagine Gnats. Beautiful quality, and they were on my doorstep before I knew it.


Blueberry maple jam is one of my favorite things to make during blueberry season. So amazingly delicious, and very simple.

Did you know that you can make your own Hot Cocoa Mix? I just made up a batch for our camping trip this week!

Wednesday, July 27, 2016

My first me-made bra! Makebra DL03 in black and white cotton with removable straps

Shopping for underwire bras is sooooo frustrating... don't you agree? It's up there with jeans and bathing suits. Unfortunately, bras are also up there with jeans and bathings suits in terms of the most intimidating things to sew. There's a bit of a hump to get over, both with the specialized notions and project-specific sewing know-how.

Well, guess what... I made a bra! How cool is that?

The catalyst that finally made the chemistry of bra-making come together was making my Sophie swimsuit. Making the Sophie with full support is basically like making a foam cup, underwire bra, and it gave me courage to go ahead and make a full-on bra. In fact, I entertained the notion of just making the Sophie bikini as a bra-- and I may just do that sometime in the future. Why not-- it's basically a bra, and the shape of the cup fits me really well.

However, in the spirit of embracing bra-making whole-heartedly, I chose a bra pattern that looks strikingly like the Sophie... Makebra 03. It's a foam cup balconette bra with a full band. I've been weighing bra patterns for years, and some of my favorite bloggers have made gorgeous bras with this pattern, in particular Tasia's floral one and Carolyn's Film Noir set. (Makebra 03 is very, very similar to the discontinued Makebra 2610).

For anyone reading this because you are thinking about making Makebra 03... let me summarize a few things for you that I will go into (excruciating?) detail about below. While this pattern is beautifully drafted and there are reasonable instructions on their website as well as a video, there are several things that were not at all clear to me when starting this project. Also, take this with a grain of salt, since I am (obviously) not a bra-making expert:

--Get the multisize pattern.
--Don't bother trying to figure out what underwire to use with your chosen size. Instead, find an underwire that fits your breast "root" and choose the size you make based on the underwire you want to use. Hopefully this size will be one of the 3 you received with the "multisize" pattern. Adjust the band and volume of the cup accordingly (either by fitting or grading between sizes).
--The bra band is drafted to be made in a stretch fabric. The cup cover can be any fabric, since the foam lining controls the stretch. A small piece of bra lining or "15 dernier" bra-making fabric (or any lightweight, non-stretch fabric) is ideal for the bridge.
--The bottom band requires 1/2 inch plush elastic. The top of the bra is finished with foldover elastic (although see Tasia's version for how she used non-foldover plush elastic, or study Carolyn's for possible ideas on a clean non-elastic finish to the top of the cup).

Okay, so onto the details!

Makebra patterns are not multi-size. Instead, you have a choice of buying one size, or buying a "multi-size" pattern which means you three sizes-- one that you choose, then the cup size larger and smaller. I measured about 5 times before choosing the 85B based on my measurements and their charts. Their pattern delivery is not instantaneous, either... I ordered on Saturday night, and got my pattern on Monday morning. They clearly state this on their website and it makes sense since this method of distribution is probably difficult to automate, but I thought I'd mention it, since instant gratification is something we've come to expect of PDF patterns.

I was really tempted to buy the single size, since my measurements clearly fit the 85B. But in retrospect, I'm really glad I chose the multi size, because I ended up making quite a few alterations. In the end, I basically ended up using the size 85C band with the volume of the 85A cup. Keep reading to see how I got there...

I don't even want to admit how much time I spent agonizing over underwires-- as far as I can tell, there is no clear standardization-- the best you can do is make a good guess based on the dimensions posted by sellers, then buy the size above and below the size you think you are. Frustratingly, the Makebra patterns specify underwire sizes only for their proprietary underwires, and they don't seem to post the dimensions of their underwires. However, in ordering the supplies for my Sophie, I had also collected several samples of different underwires, in different sizes, so I ended up figuring out what underwire to use based on which one lined up with the pattern.

Actually, I decided to flip this equation... I chose the size that I wanted to make based on the underwire that fit best. I can't say that I fully understand the making of underwire bras, but in my reading about them, it seemed like finding an underwire that was a good fit was key to a good fit on the bra. If I think about all of the failed underwire bras I've worn in the past, it is quite clear that an underwire that is too small will pinch and cut into the breast, and an underwire that is too large cuts into the underarm. The size of a band is easy to adjust if you are sewing your own bras... and even the volume of the cup is a pretty simple adjustment.

The underwires I used for my Sophie, size 38 from Bra-Makers-Supply or Tailor Made Shop, were a good fit... I had bought a 36 and a 40 and the 38 clearly seemed to be the best fit. I had also bought the UW-920 38 at Sew Sassy (as well as larger and smaller wires), which was a very similar fit to the Bra-Makers Supply wires, but more of a "U" shape. The "Flexlite" UW927-12 from Sew Sassy was also a good fit for me, but the arms of the "U" are longer, and I'd almost certainly have to cut the wire to fit it into a bra. Which is a possibility to try in the future... these wires might be nice, they are thinner and lighter than the other wires. In addition, I also bought the UW-42 from Sew Sassy, and they are, as they say, quite similar to the UW-920, but a bit thicker and heavier.

I guess that this would be obvious to anyone that really understands bra sizing, but the 85 A, B, and C require different underwires. This was dramatically clear when I printed them out and compared them. So, based on the underwires that seemed to fit best, I decided to make size 85C. I made a muslin following Cloth Habit's suggestions on making a muslin for a bra. I even inserted the underwires and the basted the hook and eyes into place, and skipped the elastic, as suggested. All seemed good, so I proceeded, full-steam ahead!

Unfortunately, when I was nearly done and had the elastic in place, it became clear to me that the fit of the cups wasn't going to work. The band and the underwires seemed just about right, but the cups just had far too much volume at the top of the cup-- there was massive gaping up there.At this point, I had the choice of bagging the project and starting over, or unpicking and trying to make this one work. I went with the latter choice, unpicking the foldover elastic at the top of the cup, then unpicking the seams of the cups, both the foam and the covers. I then pared away quite a bit... I took out about 2 inches at the top of the cup! I sewed the cup together, replaced the foldover elastic, tried it on again-- better, but still not enough! So I took it apart AGAIN and pared more away from the top and center of the cups.

Before sewing the cups together for the final time, I traced the shape of my new foam cup pieces onto my pattern. The center and tops of the new cup pieces were similar in size to the A cup. It occurs to me that "grading" the bra cup might be an option with future bra patterns.

In fitting this bra, it also occurs to me that this might be the key to my lack of success with shopping for underwire bras... perhaps I have a larger chest and breast "root" but less breast volume? Therefore I would tend to either buy bras that fit the volume of my breasts but had underwires that pinched, or bought underwires that fit and had baggy cups. It's been years since I even tried to buy an underwire bra, but this seems to fit my memory of failed bras in years past.

The other problem I had to solve was a more straightforward one... I had failed to note that the pattern required 1/2 inch plush band elastic. I had 3/4 inch and 1 inch band elastic. When it came time to apply the band elastic, it became quite clear that anything larger than 1/2 inch just was not going to fit under the underwires. I promptly placed an order for 1/2 inch band elastic, but was too impatient to wait for it to arrive, so I came up with a solution... use 3/4 inch ugly white band elastic and allow it to hang off the edge. Cover the unsightly edge with 3/8 inch stretch lace from my stash. Problem solved! Not so pretty from the inside though. It would have been less unsightly if I had thought to use white thread in my bobbin.

Another change I made to the pattern was to make the front of the band from a non-stretch woven-- the same medium weight cotton woven fabric I used to cover my cups. I'm sure you recognize it, I've used it on several other projects. Since the back side of my fabric was not so pretty, I also lined this part of the band in the same fabric. Just past the cups, I added a seam so that I could add a band in a stretch fabric. Since I had a double-layered front, it was easy to hide the seam allowance of the added seam.

I made the stretch part of the band from a single layer of a mesh that was in my stash which had stretch but was rather firm-- it was labeled "corset mesh" when I bought it. I have another mesh in my stash that is labeled "powernet" but seems VERY stretchy and not very durable to me. I might try using a double layer of this in the future.

Since this was turning out to be a very "stable" bra, I decided to make the straps removable so that I could use the bra strapless! The strapless possibilities of this bra are something that remain to be tested... I think that it would be easy to draft a "longline" band, and the extra support of this band might make this pattern into a very functional strapless bra.

The true test of any bra is in the wearing! I can't tell you how many bras I've bought that have felt great in the store but have never been worn again after the first full day of wear. After having worn it for a total of about 3 days (not consecutively), I can say that fortunately, this one does not fall into that dismal category. I also can't say it is the most comfortable bra I've ever worn. It fits well, but the band is tolerable but not super comfortable for a full-day's wear.

Uncomfortable bra bands are a common problem for me in bras, and "tolerable" is doing pretty well. I have some ideas on things that might improve the comfort for me in future bras. First-- I could follow the instructions and actually make the full band of the bra out of a soft, stretchy jersey fabric with a high-quality 1/2 inch plush elastic. Another idea comes from some of my favorite RTW (non underwire) bras-- I could enclose the band elastic in the band. I actually think this might be pretty awesome in terms of comfort, and quite doable. Also on my list of things to try is one of the lighter weight underwires... these might remove some of the pressure against the band.

It also occurs to me that perhaps I should try one of the tempting non-underwire bras that are out there. I really think that my chest can use the support of true underwire cups, but I might be able to get away with a non underwire, at least sometimes.

Overall, I think it is a very successful first bra. I feel amazing wearing it, it is much more supportive than anything I currently own, and I can totally see how making lingerie could be addictive! There is definitely room for improvement, which has me scheming about future bras!

Tuesday, July 19, 2016

Shibori Underwire Swimsuit: a pattern review of the Closet Case Files Sophie Swimsuit

This is the hottest summer I can remember! When I'm home with the kids, we swim every day... and all of our vacation plans this summer involve beaches. When Heather at Closet Case Files announced her new Sophie Swimsuit Pattern earlier this summer, I knew I had to sew it up in a hurry!

A swimsuit with built in support... sign me up for that. I don't have a huge bust, but my post-baby chest definitely needs extra support and shaping. The Closet Case Files Bombshell swimsuit is the suit that I reach for most often in my swimming wardrobe, in part because I hacked it and created support by sewing an old bra into the front of the suit. This works pretty well, but it's not nearly as elegant as having a built in foam cup and underwire bra. That's top notch support! Of course, this means you basically are learning to make a bra... which is something I was intending to do in the near future anyway. 

I also love the lines of the Sophie... totally ideal for fun combinations of color and patterns, and perfect for creating figure enhancing illusions.

After measuring and re-measuring, I decided to make a size 10 bust, with a number 4 cup. I graded out to a 12 at the hips, but kept the length of the 10. I didn't make a muslin, although I did follow the suggestion to sew the foam cups first and try them on before cutting the rest of the pattern out. 

I looked all over the place for the perfect fabric, and finally settled on a black and white shibori-look print from Spandex World. The black fabric is their black milliskin. The lining is basic white swimsuit lining from my stash, I can't remember where I originally got it from. White lining makes the colors of the spandex more intense when the suit is wet. 

Once I had collected all of the notions and fabrics (more on that later!), the swimsuit came together quickly. I've sewn many swimsuits before, so I didn't need much hand-holding, and the instructions that came with the pattern were excellent. I didn't purchase the video tutorial, although I'm sure it is great. I'd really like to see it, just for fun, but I did fine without it. If you are new to swimsuit making, the sew-along for the Bombshell is also a great resource for basic techniques. 

I found making the foam bra to be surprisingly easy and satisfying. At first I wasn't careful about which piece needed to go where, and I ended up sewing the wrong pieces together and having to seam rip it and start over. But once I got things in the right order, they came together nicely. I used strips of bra lining folded in thirds to hide and reinforce the seams on the foam cups, as shown in Cloth Habits tutorial on making foam bra cups

I didn't have trouble sewing in the underwire casing until it came to the second line of top stitching, which is supposed to be a scant 1/4 inch from your first line of stitching so that you catch the edge of the casing, which you can't see since you need to top stitch from the outside. On one cup, I ended up having to redo a small section, and on the other, I hand stitched a small section that didn't get properly caught. 

I sewed most seams on my serger with wooly nylon in the loopers. I did quite a bit of switching back and forth between white and black thread, since I didn't want white to show through the seams of the black panels, and my lining was white. 

When sewing the elastic to the leg holes and back of the swimsuit, I serged the elastic into place with the serger knife retracted, then after folding the elastic to the inside, I used the twin needle for a nice finish. I also like the way the twin needle stitching echoes the double line of stitching for the underwire casing.

The strap loop on the back of the swimsuit, made with white plush bra strapping elastic.

The fussiest part of the whole swimsuit was the straps! My biggest problem was with the little fabric loops that you are supposed to sew in for the strap hooks. The first time I made the fabric loops with the specified 3/8 inch seam allowance, they were too narrow (1/4 inch rather than 3/8) and too fat, and they were really hard to get onto the hooks and slid around annoyingly when I did get them on. 

You can see the loop that I made for the hook with black plush bra strapping elastic.

So I tried again, sewing with a 1/4 inch seam allowance, and the loops were the right width but still really hard to get onto my hooks, which have a really narrow opening. I had visions of myself at the beach, struggling with the stupid hooks... not how I want to spend my beach time! I nearly just did away with them altogether since they are sort of unnecessary, but then I had the brilliant idea to use a little piece of 3/8" bra strapping. Problem solved! They hooks are made to be used for bra strapping, anyway. 

Adjustable swimsuit straps... the front is a lycra and swimsuit elastic strap, the adjustable part is plush bra strap elastic. They are joined with a ring, and the adjustable part has a slider.

I also was worried that the straps would stretch out during wear, so I added an adjustable section using bra strapping and a slider in the back, attached to the main strap with a ring. 

I love the method of making elasticized straps shown in the pattern-- I'm totally using this technique on other swimsuits and camis. But the straps turned out too bulky to fit through the hook hardware easily. Having no other option (other than abandoning the hooks) I just worked at it until I was able to force the fat strap through the narrow hole. 

These problems are probably due to the hooks I ended up finding and using. They are Sew Sassy's nylon-coated metal 3/8 inch hooks, and they were the only ones I found in stock anywhere. Another possible cause is the thickness of my lycra (the black milliskin is the thickest swimsuit lycra I've found) or my elastic (Sew Sassy's natural swimsuit elastic). I wonder if using rubber elastic might help with the thickness problem?

If I make another Sophie, I'm probably not going to go through all this rigamarole with the straps. The fact is, I NEVER remove my straps... I don't care in the least if I get tan lines or anything like that. You might think, why how nice it is to be able to cross or uncross the straps, but I will ALWAYS wear they crossed-- I have the world's most sloped shoulders, and straps never stay up for me unless they are crossed. Even so, I still think it is super cool to have adjustable, removable straps... go figure. 

The fit is... pretty darn spot on. I might add a bit of length on the outer thigh... I think it would be a touch more flattering just a bit lower there. I also see what Heather says about the full body suit as being less supportive than the bikini top-- the underwires ride a little away from my chest wall without the support of a full bra band.

Overall though, I couldn't be more pleased. The suit feels supportive, comfortable, and looks great!

So, a bit about the materials and cost. Since you are basically engaging in bra-making, the Sophie (with the underwired cup option) requires quite a few specialty notions. Closet Case Files thoughtfully provides kits (which are sold out!), but I was hoping to make mine a little more cheaply and was interested in adding to my bra-making stash, so I decided to forego the easy option. 

I really wanted to use the right underwires, so I went to Bra-Makers Supply, as instructed, which sends their US customers to Sweet Cups Bra Supply. I plugged in my order there, then freaked out at the shipping cost and went in search of other options. I actually just revisited their site and read their shipping policy... and they say that shipping calculations are often high and they will refund shipping if it can be sent more cheaply. They also will send orders under $30 via First Class if possible, if you put that in a comment. This info is even on a banner on their site right now... maybe I'm not the only one that missed that info. Well, that would have been nice to know, I'll keep them in mind for next time!

But, the shipping cost freak out happened, so I did a little more research and landed at the Tailor Made online shop. I did a quick check-- and yes, shipping costs were quite reasonable. In addition, they sell underwires that look just like the ones at Bra-Makers Supply, so I ended up purchasing my wires here. I also bought bra lining fabric to use to line the bridge and to finish the cup seams. But they didn't have any 3/8 inch hooks of the sort required for the removable straps, so I ended up having to place a second order to Sew Sassy. Since I was interested in gearing up for more bra making, I used the opportunity to stock up on some different underwires, elastics, and notions.

If you're interested, here's what I calculate my approximate costs were:

2 yards swimwear-appropriate spandex (Spandex World): $20 
Underwires (Tailor Made): $2
Bra lining (Tailor Made): $6
Foam (Sew Sassy): $9
Hooks (Sew Sassy): $1.40 (for 12!)
Underwire channeling (Sew Sassy): $1.25
Swimwear Elastic (Sew Sassy): $2.25 (5 yards)

(the following were not called for in the pattern, but I added them:)
Bra strapping (Sew Sassy): $.75
Rings (Sew Sassy): $1.40 (12)
Slides (Sew Sassy: $1.40 (12)

Swimsuit Lining (stash)

Total: $45.45

Shipping: Tailor Made, $6; Sew Sassy $10, Spandex World, $10

Overall, not cheap, but probably cheaper than buying a quality swimsuit, which would be anywhere from $70-$200. Also, probably a bit cheaper than buying a kit, but the kits come out to a pretty good deal, especially if you aren't interested in shopping in multiple online stores to get what you need! But I am also happy to have lots left over of just about everything... which will equal more swimsuits and bras sewn just from stashed items. 

In fact, while I was waiting for things to arrive, I made a muslin for a bra-- my first ever. It just so happens to be a foam cup balconette bra, just like the Sophie (the Makebra DL03) If the Sophie gets me past the bra-making hump, then that is a truly incredible outcome. 

I have a bit of Sophie-fever-- now I really want to make the bikini version! I'm not sure about midriff-baring post-baby, but perhaps I might be able to get away with high-cut briefs...