Plum blossom blouse

Lately I've been really into stripes and solids, but this print was just irresistible. As soon as the first taste of spring hit, I pulled it out and set to work.

Here is a closeup of the print of plum or apple blossoms, with a hand drawn pen-and-ink and watercolor look. It was from emmaonesock, printed on a light and floaty cotton voile.

I made a Liesl Classic shirt, with my usual modifications... no bust dart, extra ease.

I did tweak the sleeves for a slightly romantic vibe. I added lots of extra ease by slashing and spreading, then gathered it in with pleats at the binding. I left off the cuff and tower placket and added a bias bound sleeve placket and bias bound the sleeve with a loop for the button closure. 

The buttons are mother of pearl buttons that I dropped in some intense pink dye when I was dying fabric awhile ago. They might have a very slight pink tint... or that might just be my imagination!

The other change I always make with the Liesl shirt is to round the curve of the hem at the side seam so that I can bind it with one continuous piece of bias binding. I find this the easiest and cleanest way to hem my shirts.

A floral woven shirt is actually a first in my wardrobe. Can't wait for the plum trees to bloom so that I can camouflage myself in a tree ;).

Not to mention the fact that shirts are about all one gets to show off in the many zoom meetings that now comprise my life. A new one is a fun change.

My daughter broke her arm this weekend! She's a trooper... and it is probably the most exciting thing that has happened to her since the schools closed.

Frida-alls: Frida Kahlo Overalls with Removable Bib

Frida Kahlo was never known to wear overalls.

However, I think she'd probably consider it, if she were here today. She was known for mixing cultures and time periods in her dress... traditional huipil blouses with contemporary flowing skirts, colonial earrings and revolutionary rebozos. These overalls combine traditional workwear with contemporary fabric designs, and mixes utilitarian with the trendy in the form of a bare-shoulder top. 

The fabric is a Frida Kahlo tribute print by Alexander Henry called Frida's Garden, in cotton canvas. I was a little worried that it would be stiff for a garment, but it washed up soft and supple. My original idea was to make overalls in a dark floral, which I thought would be help make overalls evening-out appropriate and be an excellent entry for #sewfrosting. However, when I came across this Frida print I flat out fell in love. I came across it on Fabric.com, and the picture and description was for the black Frida's Garden in cotton canvas... but when it arrived, it was the cream background. Since the print was even more lovely in person, I uncharacteristically ignored this blatant breach of fabric ordering etiquette and just went with it. 

Oops, my backstrap is twisted! Didn't notice this until I uploaded my photos!

Do I think Frida would approve of this melange of her painting symbolism? Well, that's hard to say. But having painted herself into much of her oeuvre, we know she isn't shy about her imagery. The designer has filled her garden with the monkeys and parrots she famously painted portraits with, in addition to lush vegetation, ripe fruit, snakes, and eyes and arms on canvases. As well as a few of her most famous quotes:

Pies para qué las quiero, si tengo alas pa' volar.

Feet, what do I have need of you for when I have wings to fly?

Tengo ganas a vivir. Ya comencé a pintar.

I desire to live. I already have begun to paint.

I wasn't quite sure what to do with the pattern on the legs, so I mostly let chance decide. I'm not quite in love with the off-set twinning happening in the front, but oh well. I did carefully choose what would be on the pockets though. Frida with monkey on the front left with the "...fly" quote, and Friday with parrot on the right back pocket. 

The pattern is, of course, the Jenny Overalls by Closet Case Patterns. I seem to have difficulty making a pattern just once- you can see my black linen overalls here. The fit of the size 16 was nearly perfect last time, so I mostly stuck with that. The only change I made was to grade the bib from a size 16 at the waist to a size 14 at the top, since the bib on my linen overalls seems to provide a bit more coverage than the pattern pics call for. 

But the biggest change is... the bib is removable. Ta-da....!

I thought these would look cute as pants. Mia (@sewnorth) has a tutorial on Instagram. I didn't follow this to the letter. She added an extra layer to her waistband for the buttonholes... but my canvas was quite thick, so I just made the buttonholes on the inner waistband without alteration. 

Thinking about it now... wouldn't these buttonholes be better horizontal? I didn't really think about it... Mia made hers vertical, and I just followed along. However, with a horizontal buttonhole there would be less worry about the size of the buttonhole fitting on the waistband, and possibly more security against the vertical stress on the bib. Next time! 

The buttons on the front bib are about 1/2 inch, four of them, mostly because that's what I had on hand in my recycled button stash.

I also totally freak'in forgot to add extra to the bottom of the bib when cutting it out. So I added a button band at the bottom.

I did the button sides again (Closet Case Patterns has a tutorial) and realized that I could use the top button as an anchor for the sides of the bib. It is just a little tight to fit the extra thickness on the button, but very doable since jeans buttons have a good shank (is that the right word?). 

The double buttonhole on the inside of the waistband is from me not realizing I could reuse the waistband button. The horizontal buttonhole is the one that I use. 

These jeans buttons came from Wawak. They are really nice quality, and very reasonably priced, as long as you are ordering enough to get free shipping. 

The straps each have one big button in the back (1 inch?)

The overall hardware is from Amazon. I'm not sure what really nice overall hardware feels like, but this feels a little less than workforce quality, but it does the job.

This version came out a little bit tighter than my linen overalls. This is actually a good thing, since the pants need to be a bit tighter to stay up. This is probably in part because the cotton canvas has much less give than a linen fabric... but I think it is also because I was a bit more precise sewing these, for whatever reason. I'm pretty firmly in the stretch pants camp... so we'll have to see whether I find these comfortable for daily wear. 

The top I'm wearing with the pants is a Liesl Classic Shirt in tencel twill, made about a year ago. 

The top I'm wearing with the overalls is brand new, made to wear with my growing overall collection- the Closet Case Nettie. The original pattern is for a bodysuit and a dress, but I just cut it off at a hip length and then did Heather's tutorial to make it off the shoulder. The fabric is a rayon jersey from the stash. It was a super quick sew!

So what do you think, should I take these overalls dancing?

Striped Linen Dress: Liesl and Co + Closet Case Kalle Mashup

This is one of those projects which took far longer than I expected. It took the first taste of the fall chill to compel me to finish it, and I'm so glad I did. 

Actually, in the photos, I feel like it doesn't look like much. I suppose I could have freshened up the ironing, but this level of rumple is probably much more representative of the look. This linen doesn't hold a press like most linens I have worked with, it reverts to its textural state almost immediately. However, it feels wonderful on, the fabric is substantial and the fit is very easy. Perhaps most importantly, the details subtle details in the striping make me happy. 

For this particular make, I had a very specific idea in mind. While browsing for inspiration I came across this dress by Poetry Fashion. I just loved the use of stripes with the faux princess seams and yoke, in a loose fitting shirt dress. 

It is the most lovely shade of blue, but sadly I could not find any striped linen in just this shade. I did however find a lovely black-brown mini-stripe linen at Fabrics-store, so I went with that. Black is really my color anyway!

For a pattern, I merged my two favorite shirt patterns-- the Liesl and Co. classic shirt and the Closet Case Kalle. If you want to see previous versions, the Liesl is here, and the Kalle is here, here and here. While the Kalle does have a sleeve option, I have not yet been able to get the sleeved version to work as well for me as the sleeves on the Liesl, and I wanted a classic set in sleeve anyway. But the Liesl has no real options beyond the basic shirt, so I used the Kalle to determine the shaping of the dress.  I added a faux yoke and princess seams by drawing and cutting those lines on the resulting pattern and adding seam allowances. 

I used the hidden button placket from the Kalle. This was so fun to sew, I've never done a hidden placket before. The Kalle directions were impeccable as usual. Why doesn't the Liesl have this option?

I usually go with a tower placket on my shirt sleeves, but I decided to go a bit more informal on this one and do a bias bound sleeve placket. Neither of my patterns had this option so I relied on tutorials from several blogs. I also narrowed the cuff on the Liesl to make it a bit more elegant, and went with bracelet-length sleeves.

For the hem, I drafted a facing, and I went with a slightly curved shape with sharp points, longer in the back than the front. Lately I've been feeling the Kalle's exaggerated shirt tail is a bit too informal. The cropped Kalle was the first shirt pattern I ever saw with a faced hem, and while I didn't use that pattern piece, I love the idea of it. 

All seams are frenched, including the in-seam pockets.

The finished dress has two minor disappointments... first, the pockets are a little too low. Doh! I always have such a hard time figuring out where pockets should go. I pinned and basted and pinned again, but in the end they were still to low. By the time I figured this out, they were already french seamed into place, and I was not going back. They are not tragically too low, just a touch lower than I would like. At least they are in matching fabric... the white pocket bags are one of the main complaints about the inspiration dress. 

The second minor point of irritation is the finish on the slit. I still feel there must be a better way to transition between french seams and side slits. I clipped and tucked in all the raw ends, but I still feel it doesn't have the finish the rest of the garment has. Probably a facing for the slit would be the next step towards a cleaner finish. 

This is how I wore it today... with a Lisbon Cardigan and the cuffs turned up over the sleeves. It will be lovely with tights when it gets chillier!